Bovington Primary are taking part in a mosaic workshop sponsored by PYA this year and this workshop is part of a much larger project. A permanent mosaic window for the school will be made which represents ideas from the Jurassic Coast.
The students will draw ideas that represent images based around the sky, the sea and under the sea and these will be put together into one design. The design will be replicated by the children using mosaic tiles. This project involves every student in some way, from all year groups.
During my time here I am going incorporate my rust process, the process of making, not the finished result, into the existing space at 6GINS. Normally I source rusty objects from a specific location and use them to make prints onto cloth and then turn those prints into installation which communicate a message. I had a clear idea of what I was going to do when I arrived…but when I got there it completely changed and I found myself responding to the space.
Part of my proposal requires me to source rusty objects from around the Liverpool and the dock area. I have 2 rusty objects which I am playing with at the moment – one is a handmade funnel which my studio friend gave to me – it was his granddads. The other piece is a bronze jug which a man donated to me out of his van when he saw me at my stall at “artisans in the Palm House” a few weeks ago. Im hoping the bronze jug will print green instead of rust.
When I was photographing the funnel I noticed the textures on the floor and walls. The textures reminded me of the colours and textures I saw on a trip to india.
The 3D installation that now stands outside in the Blue coat courtyard was created as a collaboration between artist Anna Harild and the adults from Blue room. The project started by playing around with building block structures taken from the Blue Coat architectural building. The adults played with the shapes and created new forms. They drew these forms with simple ink paintings and made miniature 3D structures with paper, tooth picks and cut up photography – they are stunning. Anna was fascinated with how the adults saw and created images in a different ways. She studied their drawings and structures and found common textures and shapes through out the work which she took into the final installation.
Exhibition from 30 June – 18 October 2015 at Tate, Liverpool.
Her work is described as “drawing with scissors, a dance between drawing and collage and Romanian Conceptualism.
I particularly liked the way the exhibition had been displayed. The artists initial notes and sketches were displayed alongside full colour sketches and textiles pieces. This enabled me to see how she worked out her ideas and what decision she made when making her final textiles pieces.
Born in Romania in 1926, and working for much of her life within a Commmunist state, Brătescu’s vivid practice has manifested as performance, textile work, paper collage and film.